Steven Volk, October 12, 2015
The waters of higher education have been troubled this first month of the fall semester. Both mainstream and the educational media have focused on the controversies that continue to churn around the use of “trigger warnings,” prior advisories of potentially traumatizing material. The Faculty Senate at American University, with the support of the provost, passed a resolution allowing faculty members to continue to issue “trigger warnings” but only to prepare students to process material, not to excuse them from exposure to it. Students who fear personal reactions to the instructional content will be directed to student support services.
At the same time, the toll of real bullets, fired by applying pressure to real triggers, continues to climb on college and university campuses. In the last two weeks alone, we have mourned the losses from a mass shooting at Umpqua Community College in Roseburg, Oregon and shootings at Northern Arizona University in Flagstaff and Texas Southern University in Houston. Last year, students were killed at Seattle Pacific University and the University of California, Santa Barbara. There were a reported 27 shootings on or near campuses in 2013. I attended a workshop earlier this year led by faculty from Virginia Tech who are still coping with the aftermath of the 32 people who were fatally shot on that campus in 2007.
Steven Volk, October 4, 2015
As instructors bring their classes to the glorious Allen Memorial Art Museum, they begin to consider the potential not just for teaching with art, but of teaching through art. Liliana Milkova, the academic curator at the museum, and I have written about the process (“transfer”) whereby the learning that occurs in one domain can be shifted to another. In extended interviews with Oberlin faculty who have brought their students to the museum, we have found that a number of specific skills foregrounded in visits to the Allen are transferring back into the classrooms in a variety of disciplines.
Denise Birkhofer, Ellen Johnson ’33 Curator of Modern and Contemporary Art, in Ellen Johnson gallery of Allen Memorial Art Museum
For example, faculty members have observed that the work their students do in the museum often helps them think about the link between evidence and argument in new ways. Some of these realizations originate from the curators’ use of VTS (Visual Thinking Strategy) approaches in the museum. VTS fashions a viewer’s engagement with art through three basic prompts: (1) What is going on in this picture; (2) What do you see that makes you say that; and (3) What more can you say about the object? Having the “primary source” (the painting or sculpture) directly at hand strongly grounds the student’s ability to use evidence to support an interpretation: Where in the painting do you find evidence suggesting that the man is angry? Such lessons from the museum can transfer easily to classroom discussions and written work. Continue reading